If you like WT007 - Moons At The Gate, you may also like:
Cherry Picker
by Factice Factory
supported by 11 fans who also own “WT007 - Moons At The Gate”
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Demo
by AUS
supported by 10 fans who also own “WT007 - Moons At The Gate”
I had this in my wishlist, but then erased it...stumbled across it again and bought it, wondering why I didn’t purchase it in the first place?! As “huffersrights82” so adequate wrote, AUS are beaming me to this long gone Berlin with their wavy Post-Punk. I imagine the Band in an old dirty Bunker, recording this Demo, that has it’s very own charm and I am totally looking forward to a full-length follow up!!!
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AUS
by AUS
supported by 10 fans who also own “WT007 - Moons At The Gate”
Excellent release! NDW for days. Reminds me so much of Xmal Deutschland.
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EMPIRES OF SHAME
by Frustration
Fresh and very French cold wave on CD and vinyl from Born Bad Records.
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Mueran Humanos
by Mueran Humanos
The terrific debut album from Berlin industrial-pop auteurs Mueran Humanos was out of print until this reissue on the band's own new label.
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Object Relations 12"
by Es
Mutant feminist synth-punk for our dystopian present.
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Silent EM - Foreign States
by Detriti Records
supported by 10 fans who also own “WT007 - Moons At The Gate”
For me it’s two records that stands out of a crowded field of 80’s nostalgia driven albums in the last ten years: Linea Aspera-Self Titled and Silent EM-Foreign States. Silent EM accomplished something truly magnificent here, it is not new wave, not quite EBM, not really industrial either and it’s definitely not punk however it is just the most clever blend of it all. Effortless and simple, melodic and hard, contagious and addictive and it is a masterpiece of mood and style with a great album cover and no filler tracks. I want more, more, and more. And I want it know. Take me back to the place where we cut ourselves and partied against daylight in dark dungeons where we were safe. Take me back where synth pop was too soft but rock was to traditional. The energy of punk was running in our veins but we dared to worship electronic sound and noise. Take me back.
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